Is Godzilla a Terrifying Monster, or a Lovable Monster?

Behind the Scene | ゴジラは恐怖の怪獣か、愛すべき怪獣か

Is Godzilla a Terrifying Monster, or a Lovable Monster?

Some people take the view that nowadays the world is returning to the cold war period. In the cold war period after World War Two, the United States and the Soviet Union were competing to develop nuclear weaponry. In 1962 the Cuban crisis occurred, almost setting off a nuclear war. Japan is the only country in the world that was bombed with nuclear weapons. In 1954, less than ten years since the atomic bomb was dropped, the Japanese film company Toho made the monster movie “Godzilla.” In the Pacific Ocean where hydrogen bomb tests are being repeatedly conducted, an ancient monster, that had been lying dormant at the bottom of the ocean, awakes and before long appears in Tokyo, destroying the town. The efficacy of the music that creates a feeling of impending doom made the movie a huge hit. This movie deals with the fear that mankind might cause its own downfall with nuclear weapons and exposes with scathing irony the foolishness of humans who can’t stop developing nuclear weapons. Together with “Planet of the Apes,” which similarly takes the theme of nuclear weaponry and the folly of humanity, this movie is reputed to be one of the most outstanding masterpieces in this genre. Godzilla is a synthesis of the words gorilla and kujira (whale). It is said that the American film “The Beast from 20,000 Fathoms” (produced in 1953) had a huge influence on the production of “Godzilla.” In this story a giant monster, revived by an atomic bomb experiment, destroys the streets of New York. As a result of the success of “Godzilla,” it became a film series and after that 27 movies were produced – a few were even produced overseas. The second movie “Godzilla Raids Again” (released in 1955) depicted a monster vs. monster showdown, becoming the standard for subsequent Godzilla movies. The third movie “King Kong vs. Godzilla” (released in 1962) gained an audience of 12.55 million, the highest in the Godzilla movie series, and also became a big hit overseas. “King Kong” (released in 1933) is a giant gorilla monster that appeared in an American movie. In the 1960s the Godzilla movies contributed to Japan’s export revenues. However, the content shifted towards pure entertainment and Godzilla was portrayed as being mankind’s ally. And in consideration of his juvenile audience, Godzilla became reestablished as being people friendly. But, alongside the rise in popularity of television, the audience for Godzilla movies in theater, gradually decreased. As a result the movie series had to be suspended a few times. Continuing on from the very first Godzilla, revival productions have all taken the theme of a crisis for humanity. Movie productions nowadays are made often using CGI, but the majority of movies in the “Godzilla” series were made with tokusatsu (old school special effects). The special effects for Gozilla were done by TSUBURAYA Eiji. Later creating Ultraman and other characters, his name is now synonymous with tokusatsu. For the filming of Godzilla, an actor was placed inside into the Godzilla costume and it’s said that this tradition has been handed down to the present day yuru-kyara mascot boom. On the other hand, Godzilla became the nickname of National Honor Award winning baseball player MATSUI Hideki. (From September issue, 2014 / 2014年9月号より)

いま
Ima,
nowadays
世界せかい
sekai wa/ha
(the) world
冷戦れいせん時代じだい
reisen’jidai
(the) cold war period
ni
to
もどりつつある
modoritsutsu aru
is returning
との
to no
that
見方みかた
mikata ga
(the) view
あります。
arimasu.
some people take
だい世界せかい大戦たいせん
Dai’niji’ sekai’taisen go
after World War Two
no
in
冷戦れいせん時代じだい
reisen’jidai,
(the) cold war period
アメリカあめりか
Amerika
the United States
to
and
ソ連それん
Soren wa/ha
the Soviet Union
核兵器かくへいき
kaku’heiki
nuclear weaponry
開発かいはつ
kaihatsu
to develop
競争きょうそうをしていました。
kyousou o/wo shite imashita.
were competing
1962せんきゅうひゃくろくじゅうにねん
Sen kyuuhyaku rokujuu ni/1962 nen
nineteen sixty-two [year]
には
niwa/ha
in
キューバきゅーば危機きき
Kyu-ba’kiki ga
(the) Cuban crisis
き、
oki,
occurred
核戦争かくせんそう
kaku’sensou ga
(a) nuclear war
はじまる寸前すんぜんでした。
hajimaru sunzen deshita.
almost setting off
日本にほん
Nihon wa/ha
Japan
核兵器かくへいき
kaku’heiki
nuclear weapons
de
with
爆撃ばくげきされた
bakugeki sareta
(that) was bombed
世界せかい
sekai
the world
de
in
唯一ゆいいつ
yuiitsu no
only
くに
kuni
(the) country
です。
desu.
is
原爆げんばく
Genbaku ga
(the) atomic bomb
投下とうかされて
touka sarete
was dropped
から
kara
since
10じゅうねん
juu/10 nen
ten years
もたたない
mo tatanai
less than
1954せんきゅうひゃくごじゅうよんねん
sen kyuuhyaku gojuu yo/1954 nen,
(in) nineteen fifty-four[year]
日本にほん
Nihon no
Japanese
映画えいが会社がいしゃ
eiga’gaisha,
(the) film company
東宝とうほう
Touhou ga
Toho
怪獣かいじゅう映画えいが
kaijuu’eiga
(the) monster movie
ゴジラごじら」を
“Gojira” o/wo
Godzilla
つくりました。
tsukurimashita.
made
水爆すいばく実験じっけん
Suibaku’jikken ga
hydrogen bomb tests
かえ
kurikaeshi
repeatedly
おこなわれていた
okonawarete ita
are being conducted
太平洋たいへいよう
Taiheiyou
the Pacific Ocean (where)
で、
de,
in
海底かいてい
kaitei
(the) bottom of (the) ocean
ni
at
ひそんでいた
hisonde ita
(that) had been lying dormant
太古たいこ
taiko no
ancient
怪獣かいじゅう
kaijuu ga
(an) monster
をさまし、
me o/wo samashi,
awakes and
やがて
yagate
before long
東京とうきょう
Toukyou
Tokyo
ni
in
あらわれ、
araware,
appears
まち
machi o/wo
(the) town
破壊はかいします。
hakai shimasu.
destroying
せまりくる危機きき
Semarikuru kiki o/wo
impending doom
予感よかんさせる
yokan saseru
(that) creates (a) feeling (of)
音楽おんがく
ongaku wa/ha
(the) music
効果的こうかてきで、
koukateki de,
(the) efficacy (of)
映画えいが
eiga wa/ha
(the) movie
大ヒットだいひっと
dai’hitto
(a) huge hit
しました。
shimashita.
made <became>
この映画えいが
Kono eiga wa/ha
this movie
核兵器かくへいき
kaku’heiki
nuclear weapons
de
with
人類じんるい
jinrui ga
mankind
みずからの
mizukara no
own
破滅はめつ
hametsu o/wo
(its) downfall
まね
maneku
might cause
恐怖きょうふ
kyoufu
(deals with the) fear (that)
と、
to,
and
核兵器かくへいき開発かいはつ
kaku’heiki kaihatsu o/wo
developing nuclear weapons
やめられない
yamerarenai
(who) can’t stop
人間にんげん
ningen
humans
no
of
おろかさを
orokasa o/wo
(the) foolishness
痛烈つうれつ
tsuuretsuna
scathing
皮肉ひにく
hiniku
irony
de
with
うつしています。
utsushidashite imasu.
exposes
おなじく
Onajiku
similarly
核兵器かくへいき
kaku’heiki
nuclear weaponry
to
and
人間にんげん
ningen
humanity
no
of
おろかさを
orokasa o/wo
(the) folly
テーマてーまにした
te-ma ni shita
(which) takes (the) theme (of)
さる
“Saru
(the) Apes
no
of
惑星わくせい
Wakusei”
Planet
ともに、
to tomo ni,
together with
このジャンルじゃんる
kono janru
this genre
no
in
最高さいこう傑作けっさく
saikou’kessaku to
(to be one of ) the most outstanding masterpieces
評価ひょうかされています。
hyouka sarete imasu.
(this movie) is reputed
ゴジラごじらは、
Gojira wa/ha,
Godzilla
ゴリラごりら
gorira
gorilla
to
and
クジラくじら
kujira o/wo
kujira (whale)
わせた造語ぞうご
awaseta zougo
(a) synthesis of (the) words
です。
desu.
is
ゴジラごじら
Gojira
Godzilla
no
of
製作せいさく
seisaku
(the) production
ni
on
おおきな
ookina
huge
影響えいきょう
eikyou o/wo
(a[n]) influence
あたえたのは、
ataeta no wa/ha,
had
アメリカあめりか映画えいが
Amerika eiga
(the) American film
原子げんし怪獣かいじゅうあらわる」
“Genshi Kaijuu Arawaru”
The Beast from twenty thousand Fathoms
1953せんきゅうひゃくごじゅうさんねん
(sen kyuuhyaku gojuu san/1953 nen
(in) nineteen fifty-three [year]
せいさく
seisaku)
produced
to
that
いわれます。
iwaremasu.
(it) is said
このストーリーすとーりー
Kono suto-ri-
this story
では、
dewa/ha,
in
核実験かくじっけん
kaku’jikken
(an) atomic bomb experiment
de
by
よみがえった
yomigaetta
revived
巨大きょだい
kyodaina
giant
怪獣かいじゅう
kaijuu ga
(a) monster
ニューヨークにゅーよーく
Nyu-yo-ku
New York
no
of
まち
machi o/wo
(the) streets
破壊はかいします。
hakai shimasu.
destroys
ゴジラごじら
“Gojira”
Godzilla
no
of
成功せいこう
seikou
(the) success
により
ni yori
as a result (of)
シリーズしりーずされ、
shiri-zu ka sare,
(it) became (a) film series and
その
sonogo
after that
27にじゅうななほん
nijuu nana/27 hon
twenty-seven movies
つくられ、
tsukurare,
were produced
海外かいがい
kaigai
overseas
でも
demo
even
数本すうほん
suuhon
a few
つくられました。
tsukuraremashita.
were produced
だい2さく
Dai’ni/2 saku
The second movie
ゴジラごじら逆襲ぎゃくしゅう
“Gojira no Gyakushuu”
Godzilla Raids Again
1955せんきゅうひゃくごじゅうごねん
(sen kyuuhyaku gojuu go/1955 nen
(in) nineteen fifty-five [year]
公開こうかい)は
koukai) wa/ha
released
怪獣かいじゅうたい怪獣かいじゅう
kaijuu tai kaijuu no
monster vs. monster
対決たいけつ
taiketsu o/wo
(a) showdown
えがき、
egaki,
depicted [and]
以後いご
igo wa/ha
subsequent
これが
kore ga
[this]
ゴジラごじら映画えいが
Gojira’eiga
Godzilla movies
no
for
定番ていばん
teiban ni
(the) standard
なりました。
narimashita.
becoming
だい3さんさく
Dai’san/3 saku
The third movie
キングコングきんぐこんぐ対ゴジラたいごじら
“Kingu Kongu tai Gojira”
King Kong vs. Godzilla
(1962せんきゅうひゃくろくじゅうにねん
(sen kyuuhyaku rokujuu ni/1962 nen
(in) nineteen sixty-two [year]
公開こうかい)は
koukai) wa/ha
released
ゴジラごじら映画えいがシリーズしりーず
Gojira’eiga shiri-zu
(in the) Godzilla movie series
最高さいこう
saikou no
the highest
1,255万せんにひゃくごじゅうごまんにん
sen nihyaku gojuu go/1,255 mannnin o/wo
(an) audience (of) twelve point five five million
動員どういんし、
douin shi,
gained and
海外かいがい
kaigai
overseas
でも
demo
also
大ヒットだいひっと
dai’hitto
(a) big hit
しました。
shimashita.
became
キングコングきんぐこんぐ
“Kingu Kongu”
King Kong
1933せんきゅうひゃくさんじゅうさんねん
(Sen kyuuhyaku sanjuu san/1933 nen
(in) nineteen thirty-three [year]
公開こうかい)は
koukai) wa/ha
released
アメリカあめりか映画えいが
Amerika eiga
(an) American movie
ni
in
登場とうじょうした
toujou shita
(that) appeared
巨大きょだい
kyodaina
giant
ゴリラごりら怪獣かいじゅう
gorira no kaijuu
(a) gorilla monster
です。
desu.
is
1960せんきゅうひゃくろくじゅう年代ねんだい
Sen kyuuhyaku rokujuu/1960 nendai,
(in the) nineteen sixties
ゴジラごじら映画えいが
Gojira’eiga wa/ha
(the) Godzilla movies
日本にほん外貨がいかかせ
Nihon no gaika kasegi
Japan’s export <foreign currency) revenue
ni
to
貢献こうけんしました。
kouken shimashita.
contributed
しかし、
Shikashi,
however
その内容ないよう
sono naiyou wa/ha
the content
娯楽ごらく
goraku
(pure) entertainment
へと
e/he to
towards
シフトしふとし、
shifuto shi,
shifted and
ゴジラごじら
Gojira wa/ha
Godzilla
人類じんるい
jinrui no
mankind’s
味方みかた
mikata
being ally
として
to shite
as
えがかれました。
egakaremashita.
was portrayed
そして、
Soshite
and
どもの
kodomo no
(his) juvenile
観客かんきゃく
kankyaku o/wo
audience
考慮こうりょして、
kouryo shite,
in consideration of
ゴジラごじら
Gojira wa/ha
Godzilla
よりにんれられる
yori hito ni ukeirerareru
being people friendly
よう
you
as
設定せっていなおされました。
settei shinaosaremashita.
became reestablished
けれども、
Keredomo,
but
テレビてれび
terebi
television
no
of
普及ふきゅう
fukyuu
(the) rise (in popularity)
とも
to tomo ni
alongside
劇場げきじょう
gekijou
theater
での
de no
in
ゴジラごじら映画えいが
Gojira’eiga
Godzilla movies
no
for
観客かんきゃく
kankyaku wa/ha
(the) audience
次第しだい
shidaini
gradually
っていきました。
hette ikimashita.
decreased
そのため
Sono tame
as a result
シリーズしりーず
shiri-zu wa/ha
(the movie) series
何度なんど
nando ka
a few times
中断ちゅうだんしました。
chuudan shimashita.
had to be suspended
その
Sono
[the]
復活ふっかつとなった作品さくひん
fukkatsu to natta sakuhin wa/ha
revival productions
いずれも
izuremo
all
人類じんるい
jinrui
humanity
no
for
危機きき
kiki
(a) crisis
o/wo
of
テーマてーま
te-ma
(the) theme
にした
ni shita
have taken
だい1いっさく
dai’i/1 ssaku no
the very first
ゴジラごじら
Gojira
Godzilla
o/wo
from
いでいます。
hikitsuide imasu.
continuing on
映画えいが
Eiga no
movie
製作せいさく
seisaku de
productions
現在げんざい
genzai wa/ha
nowadays
CGしーじー
CG ga
CGI
よく
yoku
often
使つかわれます
tsukawaremasu
are made using
が、
ga,
but
ゴジラごじらシリーズしりーず
Gojira shiri-zu
(movies in the) Godzilla series
no
of
おおくは
ooku wa/ha
(the) majority
特撮とくさつでした。
tokusatsu deshita.
were made with old school special effects
ゴジラごじら
Gojira
Gozilla
no
for
特撮とくさつ
tokusatsu wa/ha
(the) special effects
円谷つぶらや英二えいじ
TSUBURAYA Eiji
Tsuburaya Eiji
ga
by
おこないました。
okonaimashita.
were done
その
Sono go,
later
ウルトラマンうるとらまん
Urutoraman
Ultraman
などの
nado no
and other
キャラクターきゃらくたー
kyarakuta- o/wo
characters
umidashi
creating
かれ
kare no na wa/ha
his name
いまでは
imadewa/ha
now
特撮とくさつ
tokusatsu
tokusatsu
no
with
代名詞だいめいし
daimeishi
synonymous
になりました。
ni narimashita.
is <becomes>
ゴジラごじら
Gojira
Godzilla
no
of
撮影さつえい
satsuei
(the) filming
では
dewa/ha
for
俳優はいゆう
haiyuu ga
(an) actor
ゴジラごじらぐるみ
Gojira no kigurumi
(the) Godzilla costume
ni
into
はいりました
hairimashita
was placed inside
が、
ga,
and
その文化ぶんか
sono bunka wa/ha
this tradition
いま
ima no
(the) present day
ゆるキャラきゃらブームぶーむ
yurukyara’bu-mu
yuru-kyara mascot boom
ni
to
がれている
uketsugarete iru
has been handed down
to
that
われています。
iwarete imasu.
(it)’s said
一方いっぽう
Ippou,
on the other hand
ゴジラごじら
Gojira wa/ha
Godzilla
国民こくみん栄誉賞えいよしょう
Kokumin eiyo’shou o/wo
National Honor Award
受賞じゅしょうした
jushou shita
winning
野球やきゅう選手せんしゅ
yakyuu’senshu,
baseball player
松井まつい秀喜ひでき
MATSUI Hideki
Matsui Hideki
no
of
ニックネームにっくねーむにも
nikkune-mu nimo
(the) nickname
なりました。
narimashita.
became

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