The Cultural Tradition of  Inheriting a Professional  Name

Insight into the Subject | 襲名という慣習

The Cultural Tradition of Inheriting a Professional Name

In Japan, in various areas of expertise, it is traditional for an apprentice to take the name of their master, most particularly in the area of traditional arts, such as kabuki or rakugo. This practice is called “shuumei” in Japanese. In many cases, the name is passed down to children, grandchildren, or other relatives. In kabuki and other performace arts, a special performance is held to announce the successor to that name. For instance, “ICHIKAWA Danjuro” is the most famous stage name in kabuki, having been passed down from generation to generation since the middle of the Edo Period (17th century). Along with creating a buzz around a performance that guarantees box office success, the idea is to pay tribute to the fame of the actor’s predecessors and to further motivate him to raise his game by taking on that name. In kabuki, the name Ebizo is taken before ascending to Danjuro, and before that other names are also given according to your rank. In the 1990s, the sumo world was caught up in the “Waka-Taka boom,” when the two brothers Wakanohana and Takanohana both rose to gain the ultimate title of yokozuna. The older brother had taken the name of his father’s older brother, the yokozuna“Wakanohana,” while the younger brother had taken his father’s name “Takanohana.” Their father and uncle had been extremely popular wrestlers, and the brothers managed to inherit this popularity, too. In the case of gyouji (sumo referees), similar to kabuki, they have ranked names, with “KIMURA Shonosuke” at the pinnacle as the most senior referee. Since famous names tend to be taken by offspring or relatives, some point out that the practice of handing down names is a hereditary one. In Japanese politics, too, you can also find many political dynasties. It is said that this reflects the national tendency to place importance on lineage and prestige. A good example of this would be the succession of the Emperor’s descendents to the throne, which has continued throughout Japanese history up until the present day. The practice of inheriting a name is also seen in professions, such as swordsmiths and potters, in which traditional skills are necessary. As a very long period of training is required to acquire these skills, it’s often the case that the artisan will rely on their children to take over, as they’ve already been living together. In the past, many commoners would change their names when reaching adulthood. Warlord TOYOTOMI Hideyoshi who unified Japan for the first time was named “Hiyoshimaru” when he was a child, but after that he renamed himself “KINOSHITA Toukichiro,” then “HASHIBA Hideyoshi.” In the West, you can often see “Junior” or “the Second” added after names. In both Japan and the West, you get a sense that there are a variety of different motivations behind the practice of inherited names.

日本にほん
nihonn
Japan
には
niha
in
さまざまな
samazamana
in various areas of
分野ぶんや
bunnya,
expertise
特にとく
toku ni
most particularly
歌舞伎かぶき
kabuki
kabuki
ya
or
落語らくご
rakugo
rakugo
などの
nado no
such as
伝統でんとう芸能げいのう
denntou’geinou
traditional arts
で、
de,
in (the area of)
偉大いだい師匠ししょう
idaina shishou
their <great> master
no
of
名前なまえ
namae wo tsugu
(for an apprentice) to take the name
慣習かんしゅうがあります。
kannshuu ga arimasu.
(it) is traditional
これを
kore wo
this (practice)
日本語にほんご
nihonngo
Japanese
de
in
襲名しゅうめい」と
shuumei to
shuumei
いいます。
ii masu.
is called
おおくの場合ばあい
ooku no baai,
in many cases
ko
children
ya
or
まご
mago,
grandchildren
親族しんぞく
shinnzoku
other relatives
ga
to
いできました。
tsuide kimashita.
(the name) is passed down
歌舞伎かぶき
kabuki
kabuki
などの
nado no
and other
芸能げいのう
geinou
performance arts
では
deha
in
襲名しゅうめい
shuumei wo
the successor to that name
らせる
shiraseru
to announce
特別とくべつ公演こうえん
tokubetsu kouenn ga
(a) special performance
おこなわれます。
okonaware masu.
is held
たとえば
tatoeba
for instance
歌舞伎かぶき
kabuki
kabuki
では
deha
in
市川いちかわ團十郎だんじゅうろう」が
“ichikawa dannjuurou” ga,
Ichikawa Danjuro
江戸えど時代じだい
edojidai
(the) Edo Period
no
of
中頃なかごろ
nakagoro
(the) middle
17世紀じゅうななせいき
(juunana seiki)
(the) seventeenth century
から
kara
since
代々だいだい
daidai
generation to generation
がれてきた
uke tsugarete kita
having been passed down from
もっとも有名ゆうめい
mottomo yuumeina
(the) most famous
芸名げいめい
geimei
stage name
です。
desu.
is
話題わだい
wadai wo
a buzz around
あつめて
atsumete
creating
興行こうぎょう成功せいこう
kougyou wo seikou ni
(a) performance that guarantees box office success
みちびくとともに、
michibiku to tomo ni
along with
先人せんじん
sennjinn
(the actor’s) predecessors
no
of
名声めいせい
meisei ni
(the) fame to
敬意けいい
keii wo
tribute
はらい、
harai,
to pay and
その
sono na wo
that name
uketsugu
taking on
ことで
koto de
by
みずからのげい
mizukara no gei wo
his game <own skill>
みがきき、
migaki,
to raise
さらに
sarani
to further
意識いしきたかめる
ishiki wo takameru
motivate (him)
ねらいが
nerai ga
(the) idea
あるといわれます。
aru to iware masu.
is
歌舞伎かぶき
kabuki
kabuki
では
deha
in
團十郎だんじゅうろう」を
“dannjuurou” wo
Danjuro
tsugu
ascending to
まえ
mae ni
before
海老蔵えびぞう
“ebizou”
Ebizo
no na ga
(the) name
あり、
ari,
is taken and
それ以前いぜん
sore izesenn
before that
にも
nimo
also
地位ちい
chii
(your) rank
による
ni yoru
according to
名前なまえ
namae ga
(other) names
きます。
tsuki masu.
are given
1990年代せんきゅうひゃくきゅうじゅうねんだい
sennkyuuhyaku kyuujuu nenndai
(the) nineteen-nineties
no
in
相撲界すもうかいは、
sumoukai ha,
(the) sumo world
若乃花わかのはな
wakanohana
Wakanohana
to
and
貴乃花たかのはな
takanohana no
Takanohana
兄弟きょうだい力士りきし
kyoudai rikishi no
brothers [wrestlers]
二人ふたり
futari ga
the two
最高位さいこうい
saikoui
(the) ultimate title
no
of
横綱よこづな
yokoduna ni
yokozuna
のぼりつめ、
nobori tsume,
(both) rose to gain when
若貴わかたかブーム」
“wakataka bu-mu”
(the) Waka-Taka boom
de
in
わきました。
waki mashita.
was caught up
あに
ani ha
(the) older brother
ちちあに
chichi no ani
(his) father’s older brother
である
de aru
of
横綱よこづな
yokoduna
(the) yokozuna
若乃花わかのはな」の
“wakanohana” no
Wakanohana
na wo
the name
ぎ、
tsugi,
had taken while
おとうと
otouto ha
(the) younger brother
ちち
chichi no
(his) father’s (name)
貴乃花たかのはな」を
“takanohana” wo
Takanohana
ぎました。
tsugi mashita.
had taken
ちち
chichi
(their) father
to
and
伯父おじ
oji mo
uncle
大人気だいにんき力士りきし
dai’ninnki no rikishi
extremely popular wrestlers
で、
de,
had been and
兄弟きょうだい
kyoudai ha
(the) brothers
その人気にんき
sono ninnki mo
this popularity too
ぎました。
uketsugi mashita.
managed to inherit
相撲すもう
sumou no
sumo
審判しんぱんである
shinnpann de aru
referees
行司ぎょうじ
gyouji
gyouji
場合ばあい
no baai,
in the case of
歌舞伎かぶき
kabuki to
kabuki
同様どうよう
douyou ni
similar to
木村きむら庄之助しょうのすけ」を
“kimura shounosuke”
Kimura Shonosuke with
トップとっぷ
toppu
(the) pinnacle (as the most senior referee)
ni
as
地位ちいごとの名前なまえがあります。
chii goto no namae ga ari masu.
(they) have ranked names
よくられた
yoku shirareta na wo
famous names
ぐのは
tsugu no ha
to be taken
ko
offspring
ya
or
親族しんぞく
shinnzoku
relatives
ni
by
なりがちな
narigachina
tend
ことから、
koto kara,
since
襲名しゅうめい
shuumei
handing down names
no
of
慣習かんしゅう
kannshuu ha
(the) practice
世襲制せしゅうせい
seshuusei
(is a) hereditary (one)
という
to iu
that
指摘してき
shiteki mo
point out
あります。
ari masu.
some
日本にほん
nihonn no
Japanese
政治家せいじか
seijika
politics
にも、
nimo,
in too
世襲せしゅう議員ぎいん
seshuu giinn ga
political dynasties
おお
ooku
many
られます。
mirare masu.
(you) can (also) find
これは
kore ha
this
家柄いえがら
iegara
lineage
ya
and
権威けんい
kenni wo
prestige
おもんじる
omonnjiru
to place importance on
国民性こくみんせい
kokuminnsei wo
(the) national tendency
あらわしている
arawashite iru
reflects
とも
tomo
that
いわれます。
iware masu.
(it) is said
その象徴しょうちょうが、
sono shouchou ga,
(a) good example of this
日本史にほんし
nihonnshi no
Japanese history
はじまりから
hajimari kara
throughout
今日こんにちまで
konnnichi made
(the) present day
子孫しそんへと
shisonn he to
up until
つづ
tsuduku
(which) has continued
皇位こうい継承けいしょうだと
kouikeishou da to
(the) succession of the Emperor’s descendents to the throne
いえるでしょう。
ieru deshou.
would be
襲名しゅうめい
shuumei
inheriting (a) name
no
of
慣習かんしゅうは、
kannshuu ha,
(the) practise
刀鍛冶かたなかじ
katanakaji
swordsmiths
ya
and
陶芸家とうげいか
tougeika
potters
など
nado
such as
伝統的でんとうてき
denntoutekina
(in which) traditional
技術ぎじゅつ
gijutsu ga
skills
必要ひつよう
hitsuyouna
are necessary
職業しょくぎょう
shokugyou
professions
でも
demo
in also
られます。
mirare masu.
is seen
このような
konoyouna
these
技能ぎのう
ginou wo
skills
修得しゅうとくするには
shuutoku suru niha
to acquire
非常ひじょうなが期間きかん
hijou ni nagai kikann
(a) very long period
no
of
修業しゅぎょう
shugyou ga
training
必要ひつよう
hitsuyou
is required
で、
de,
as
生活せいかつ
seikatsu wo
(as) they’ve already been living
ともにしている
tomo ni shite iru
together
どもに
kodomo ni
(their) children (to take over)
依存いぞんしている
izonn shite iru
(the artisan ) will rely on
という
to iu
that
事情じじょうもあります。
jijou mo ari masu.
(it)’s often the case
かつては
katsute ha
in the past
おおくの
ooku no
many
庶民しょみん
shominn ga
commoners
成人せいじん
seijinn ni
adulthood
なる
naru
reaching
ときに
toki ni
when
名前なまえ
namae wo
(their) names
えました。
kae mashita
would change
日本にほん
nihonn wo
Japan
はじめて
hajimete
for the first time
統一とういつした
touitsu shita
(who) unified
武将ぶしょう
bushou no
Warlord
豊臣とよとみ秀吉ひでよしは、
toyotomi hideyoshi ha,
Toyotomi Hideyoshi
おさなころ
osanai koro
(he) was (a) child
ha
when
日吉丸ひよしまる
“hiyoshimaru”
Hiyoshimaru
で、
de,
was named but
その
sono go
after that
木下きのした藤吉郎とうきちろう」、
“kinoshita toukichirou”,
Kinoshita Toukichiro
のち
nochi ni
then
羽柴はしば秀吉ひでよし」と
“hashiba hideyoshi” to
Hashiba Hideyoshi
名乗なのりました。
nanori mashita.
(he) renamed (himself)
西洋せいよう
seiyou
(the) West
では
deha
in
名前なまえ
namae no
names
あと
ato ni
after
ジュニアじゅにあ
“junia”
Junior
ya
or
二世にせい
“nisei” ga
the Second
ついていることが
tsuite iru koto ga
are added
あります。
ari masu.
are often seen
日本にほんでも
nihonn demo
Japan and
西洋せいよう
seiyou
the West
でも、
demo,
in both
襲名しゅうめい
shuumei
inherited names
no
of
慣習かんしゅう
kannshuu no
(the) practice
うらには
ura niha
behind
さまざまな思惑おもわく
samazama omowaku
there are a variety of different motivations
ga
that
かんじられます。
kannjirare masu.
(you) get a sense

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